De Eed van de Vijf Lords is het eenentwintigste album uit de reeks Blake en Mortimer, en het vijfde dat door scenarist Yves Sente en tekenaar André Juillard geschreven werd. De uitgave van Dargaud-Lombard verscheen in het Nederlands op 14 november 2012.

Centraal in het verhaal staan de acties van Thomas Edward Lawrence, Lawrence of Arabia, als Brits militair actief tijdens de Eerste Wereldoorlog in de Arabische opstand. Het eigenlijk verhaal speelt zich vijfendertig jaar nadien af tijdens de winter van het jaar 1954, met flashbacks naar gebeurtenissen die zich in 1919 en 1935 afspeelden.

Something dark and evil has awakened…

Evie O’Neill has been exiled from her boring old hometown and shipped off to the bustling streets of New York City—and she is pos-i-tute-ly ecstatic. It’s 1926, and New York is filled with speakeasies, Ziegfeld girls, and rakish pickpockets. The only catch is that she has to live with her uncle Will and his unhealthy obsession with the occult.

Evie worries he’ll discover her darkest secret: a supernatural power that has only brought her trouble so far. But when the police find a murdered girl branded with a cryptic symbol and Will is called to the scene, Evie realizes her gift could help catch a serial killer.

As Evie jumps headlong into a dance with a murderer, other stories unfold in the city that never sleeps. A young man named Memphis is caught between two worlds. A chorus girl named Theta is running from her past. A student named Jericho hides a shocking secret. And unknown to all, something dark and evil has awakened…

In exchange for help escaping her long and wrongful imprisonment, embittered magical healer Blackthorn has vowed to set aside her bid for vengeance against the man who destroyed all that she once held dear. Followed by a former prison mate, a silent hulk of a man named Grim, she travels north to Dalriada. There she’ll live on the fringe of a mysterious forest, duty bound for seven years to assist anyone who asks for her help.

Oran, crown prince of Dalriada, has waited anxiously for the arrival of his future bride, Lady Flidais. He knows her only from a portrait and sweetly poetic correspondence that have convinced him Flidais is his destined true love. But Oran discovers letters can lie. For although his intended exactly resembles her portrait, her brutality upon arrival proves she is nothing like the sensitive woman of the letters.

With the strategic marriage imminent, Oran sees no way out of his dilemma. Word has spread that Blackthorn possesses a remarkable gift for solving knotty problems, so the prince asks her for help. To save Oran from his treacherous nuptials, Blackthorn and Grim will need all their resources: courage, ingenuity, leaps of deduction, and more than a little magic.

One enchanting romance. Two lovers keeping secrets. And a uniquely crafted book that binds their stories forever.

When Evelyn Morgan walked into the village bookstore, she didn’t know she would meet the love of her life. When Brendan Thorne handed her a medieval romance, he didn’t know it would change the course of his future. It was almost as if they were the cursed lovers in the old book itself . . .

The Thorn and the Blossom is a remarkable literary artifact: You can open the book in either direction to decide whether you’ll first read Brendan’s, or Evelyn’s account of the mysterious love affair. Choose a side, read it like a regular novel—and when you get to the end, you’ll find yourself at a whole new beginning.

A short story about the universe and your place in it.

“You were on your way home when you died. It was a car accident. Nothing particularly remarkable, but fatal nonetheless. You left behind a wife and two children. It was a painless death. … And that’s when you met me.”

A short story published in a Waterstones Special Edition of The Song of Achilles & ‘We Love This Book’.

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean death for each of them. There’s still a war going on, after all. And someone has to win that war.

Shadows of Self shows Mistborn’s society evolving as technology and magic mix, the economy grows, democracy contends with corruption, and religion becomes a growing cultural force, with four faiths competing for converts.

This bustling, optimistic, but still shaky society now faces its first instance of terrorism, crimes intended to stir up labor strife and religious conflict. Wax and Wayne, assisted by the lovely, brilliant Marasi, must unravel the conspiracy before civil strife stops Scadrial’s progress in its tracks.

Shadows of Self will give fans of The Alloy of Law everything they’ve been hoping for and, this being a Brandon Sanderson book, more, much more.

Jess needs a fresh start. She’s broke and alone, and she’s just left her job under less than ideal circumstances. Her half-brother Ben didn’t sound thrilled when she asked if she could crash with him for a bit, but he didn’t say no, and surely everything will look better from Paris. Only when she shows up – to find a very nice apartment, could Ben really have afforded this? – he’s not there.

The longer Ben stays missing, the more Jess starts to dig into her brother’s situation, and the more questions she has. Ben’s neighbors are an eclectic bunch, and not particularly friendly. Jess may have come to Paris to escape her past, but it’s starting to look like it’s Ben’s future that’s in question.

The socialite – The nice guy – The alcoholic – The girl on the verge – The concierge

Everyone’s a neighbor. Everyone’s a suspect. And everyone knows something they’re not telling.

Everything casts a shadow. Even the world we live in. And as with every shadow, there is a place where it must touch. A seam, where the shadow meets its source.

Olivia Prior has grown up in Merilance School for girls, and all she has of her past is her mother’s journal—which seems to unravel into madness. Then, a letter invites Olivia to come home—to Gallant. Yet when Olivia arrives, no one is expecting her. But Olivia is not about to leave the first place that feels like home, it doesn’t matter if her cousin Matthew is hostile or if she sees half-formed ghouls haunting the hallways.

Olivia knows that Gallant is hiding secrets, and she is determined to uncover them. When she crosses a ruined wall at just the right moment, Olivia finds herself in a place that is Gallant—but not. The manor is crumbling, the ghouls are solid, and a mysterious figure rules over all. Now Olivia sees what has unraveled generations of her family, and where her father may have come from.

Olivia has always wanted to belong somewhere, but will she take her place as a Prior, protecting our world against the Master of the House? Or will she take her place beside him?

Desperate to escape a loveless marriage and society’s constraints, pampered heiress Sophia Hathaway jilts her groom, packs up her paints and sketchbook, and assumes a new identity, posing as a governess to secure passage on the Aphrodite. She wants a life of her own: unsheltered, unconventional, uninhibited. But it’s one thing to sketch all her wildest, most wanton fantasies, and quite another to face the dangerously handsome libertine who would steal both her virtue and her gold.

To any well-bred lady, Benedict “Gray” Grayson is trouble in snug-fitting boots. A conscienceless scoundrel who sails the seas for pleasure and profit, Gray lives for conquest—until Sophia’s perception and artistry stir his heart. Suddenly, he’ll brave sharks, fire, storm, and sea just to keep her at his side. She’s beautiful, refined, and ripe for seduction. Could this counterfeit governess be a rogue’s redemption? Or will the runaway heiress’s secrets destroy their only chance at love?

As a third-year Ph.D. candidate, Olive Smith doesn’t believe in lasting romantic relationships–but her best friend does, and that’s what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees.

That man is none other than Adam Carlsen, a young hotshot professor–and well-known ass. Which is why Olive is positively floored when Stanford’s reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive’s career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding… six-pack abs.

Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

It’s time to solve the murder of the century…

Forty years ago, Steven Smith found a copy of a famous children’s book, its margins full of strange markings and annotations. He took it to his remedial English teacher, Miss Isles, who became convinced it was the key to solving a puzzle. That a message in secret code ran through all Edith Twyford’s novels. Then Miss Isles disappeared on a class field trip, and Steven’s memory won’t allow him to remember what happened. Now, out of prison after a long stretch, Steven decides to investigate the mystery that has haunted him for decades. Was Miss Isles murdered? Was she deluded? Or was she right about the code? And is it still in use today? Desperate to recover his memories and find out what really happened to Miss Isles, Steven revisits the people and places of his childhood. But it soon becomes clear that Edith Twyford wasn’t just a writer of forgotten children’s stories. The Twyford Code has great power, and he isn’t the only one trying to solve it…

Owen Pick’s life is falling apart.

In his thirties, a virgin, and living in his aunt’s spare bedroom, he has just been suspended from his job as a geography teacher after accusations of sexual misconduct, which he strongly denies. Searching for professional advice online, he is inadvertently sucked into the dark world of incel—involuntary celibate—forums, where he meets the charismatic, mysterious, and sinister Bryn.

Across the street from Owen lives the Fours family, headed by mom Cate, a physiotherapist, and dad Roan, a child psychologist. But the Fours family have a bad feeling about their neighbor Owen. He’s a bit creepy and their teenaged daughter swears he followed her home from the train station one night.

Meanwhile, young Saffyre Maddox spent three years as a patient of Roan Fours. Feeling abandoned when their therapy ends, she searches for other ways to maintain her connection with him, following him in the shadows and learning more than she wanted to know about Roan and his family. Then, on Valentine’s night, Saffyre Maddox disappears—and the last person to see her alive is Owen Pick.

The elves come for two things: war and wives. In both cases, they come for death.

Three-thousand years ago, humans were hunted by powerful races with wild magic until the treaty was formed. Now, for centuries, the elves have taken a young woman from Luella’s village to be their Human Queen.

To be chosen is seen as a mark of death by the townsfolk. A mark nineteen-year-old Luella is grateful to have escaped as a girl. Instead, she’s dedicated her life to studying herbology and becoming the town’s only healer.

That is, until the Elf King unexpectedly arrives… for her.

Everything Luella had thought she’d known about her life, and herself, was a lie. Taken to a land filled with wild magic, Luella is forced to be the new queen to a cold yet blisteringly handsome Elf King. Once there, she learns about a dying world that only she can save.

The magical land of Midscape pulls on one corner of her heart, her home and people tug on another… but what will truly break her is a passion she never wanted.