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		<title>Illumicrate #40: January 2026</title>
		<link>https://charami.com/2026/02/12/illumicrate-40-january-2026/</link>
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		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Thu, 12 Feb 2026 06:05:21 +0000</pubDate>
				<category><![CDATA[Read]]></category>
		<category><![CDATA[book-haul]]></category>
		<category><![CDATA[bookbox]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[illumicrate]]></category>
		<category><![CDATA[unboxing]]></category>
		<guid isPermaLink="false">https://charami.com/?p=44191</guid>

					<description><![CDATA[The first Illumicrate of 2026 is a fact, and wow&#8230;what a start! Both Fairyloot and Illumicrate are off to a flying start for the new year! This month&#8217;s theme was Power of Death. Not a small, cozy theme, but a pretty powerful message. It promises an epic fantasy book with a unique magic system&#8230;and yes, I&#8217;m already sold. But as always, goodies first, then the book. The first item is a ceramic bowl set. And yes, I&#8217;ve already received a lot of bowls from book boxes. And no, I&#8217;m still not tired of them. These are a really nice, solid size &#8211; perfect for breakfast or pudding. The illustrations are by @_studio_ao. I don&#8217;t know if they&#8217;re based on a specific book, because it wasn&#8217;t mentioned anywhere, but I really like that duality between light and dark, life and death. It&#8217;s a concept Illumicrate has used before, but it still works. And that way, all those bowls and plates continue to coordinate beautifully in my cupboard. Item two is a new magnet in their series about bookish locations. I think this is already the fourth, and the second featuring a location I don&#8217;t know: Arcana Academy from the book of the same name by Elise Kova. The design is by @No0nedesigns and is beautifully crafted. Lovely design, fine details, and a sturdy magnet. Always handy to hang somewhere. Okay, I&#8217;ve never had anything like this in a book box before: a set of cotton bowl covers! They&#8217;re very much in theme with the bowls, and they&#8217;re not only practical but also eco-friendly. The set comes with three different sizes, and the design is by @alixfarren, inspired by the book of the month. Yay, socks! It&#8217;s been a while. As always, they&#8217;re really good quality. The illustration is inspired by The Foxglove King and was created by @toothandtoad. And then the book of the month: The Poet Empress by Shen Tao. House of the Azalea, where thorn meets bud; Brother betrays brother, blood forgets blood. Young rice farmer Yin Wei was forced to become concubine to Prince Guan Terren—a monstrous wielder of poetry magic, and heir to the Azalea throne—to save her family from the famine blighting the land of Tensha. Now confined to the imperial court, Terren&#8217;s cruelty is not the only danger Wei faces. He and his honourable older brother are locked in a deadly succession war, while Terren&#8217;s thirty concubines are fighting a war of their own, for the position of future empress. To survive, Wei must harden her heart, rely on her wit, and become dangerous herself—even if it means learning the one forbidden poem that can kill Terren and save both herself and her nation. But there&#8217;s a problem—for the spell to work against a man she hates, it must be written with love. Oh, yes! A magic system based on poetry? That sounds so original and intriguing! Oh, wow! That cover! This illustration is by @afterblossom_art and I think it&#8217;s absolutely breathtaking. Completely different from the standard cover (which is also epic), but this version feels much more subdued and artistic. The more muted colours, the composition, the atmosphere&#8230; It reminds me so much of old Chinese or Japanese paintings. And that dragon? Chef&#8217;s kiss. This is one of those covers I can stare at over and over again, discovering new details every time. The same illustrator also created the artwork for the hardcover, which creates a wonderfully cohesive overall edition. I suspect the peach trees will likely have a significance in the story. And I&#8217;m also a fan of how the title was placed on the spine: subtle, elegant, and beautifully coordinated with the cover. The entire book block features a digital illustration taken directly from the cover. I remain a fan of that. Extending the cover illustration to the book block always adds an extra touch of luxury. The endpapers initially surprised me a bit with their colourfulness. They contrast quite strongly with the rest of the edition, which is rather subdued. But the artwork is absolutely top-notch. The illustrations are by @gracezhuart and they are incredibly detailed and beautifully crafted. The book also includes bonus content and a letter from the author with a digital signature. And yes, Illumicrate, just like FairyLoot, is off to a fantastic start in 2026. All the items are not only beautiful but also genuinely useful. And that book is a truly beautiful edition, with a story I have very high expectations for. Cheers, Charlotte]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">44191</post-id>	</item>
		<item>
		<title>Fairyloot Adult #47: January 2026</title>
		<link>https://charami.com/2026/02/10/fairyloot-adult-47-january-2026/</link>
					<comments>https://charami.com/2026/02/10/fairyloot-adult-47-january-2026/#respond</comments>
		
		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Tue, 10 Feb 2026 06:05:08 +0000</pubDate>
				<category><![CDATA[Read]]></category>
		<category><![CDATA[book-haul]]></category>
		<category><![CDATA[bookbox]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[unboxing]]></category>
		<guid isPermaLink="false">https://charami.com/?p=44184</guid>

					<description><![CDATA[A new year, a new series of book boxes on the horizon. And yes, even though I resolve every year to be more selective and use my skip options more often, there&#8217;s always something that makes me hesitate. For this first FairyLoot box of 2026, it was mainly the impressive list of artists. That alone made my mouth water. And when I later discovered which author would be in the box, the deal was sealed, although I realized afterward that I had completely confused that author with someone else. Oops. Anyway, let me start at the beginning. At the beginning of December, FairyLoot announced the theme for their January box: Divine Rebellion. The book of the month was recommended for readers who enjoy the Renaissance, political intrigue, and forced proximity. And yes&#8230; that really got me too. The book of the month was Graceless Heart by Isabel Ibañez. ”>A lush, atmospheric and achingly magical standalone adult fantasy romance set in Renaissance Italy from a #1 New York Times bestselling author. In 15th-century Volterra, sculptress Ravenna Maffei enters a competition hosted by a secretive, immortal family who offer an invaluable boon to the victor. Desperate to win so she can save her brother, Ravenna reveals a rare magical talent&#8211;a dangerous act in a city where magic is forbidden. Her revelation makes her a target, and she is kidnapped by the Luni family and taken to Florence, a city of breathtaking beauty and cutthroat ambition. There, Ravenna is forced into an impossible task where failure means certain death at the hands of Saturnino dei Luni, the family&#8217;s enigmatic and merciless heir. But under his cold reserve hides a vulnerability that draws her closer than she ever intended. Meanwhile, Ravenna&#8217;s forbidden magic does not go unnoticed. The Pope, waging war against Florence, the Medici, and magic itself, has his own interest in her abilities, seeing her as a potential weapon in his ruthless campaign. As alliances shift and war brews on the horizon, Ravenna must navigate the treacherous line between survival and betrayal, between love and duty. With time running out and her every move watched, the choices she makes will determine the fate of not just her own life, but the fragile balance of magic and power that could unravel Florence itself. Let me get the embarrassing moment out of the way first: I really thought this author was the one behind The Hacienda and The Possession of Alba Díaz. But no, that&#8217;s Isabel Cañas. Not that I&#8217;ve read anything by her, but she was on my radar. So this book is by Isabel Ibañez (the confusion probably stems from the Isabel and that little curl in the surname, lol), whom I also haven&#8217;t read yet. Anyway, confusion aside, this blurb sounds fantastic. An immortal family in Italy inevitably reminds me a bit of Twilight, but with a Renaissance twist. And a story set in Florence, with art, power, magic, and political games? Yep, that sounds like something I can completely lose myself in. With its newly designed cover, featuring illustrations by @andrewdavis_designs, FairyLoot immediately scores again for originality and grandeur. This simply exudes fifteenth-century Italy. I&#8217;m getting so many Duomo-in-Florence vibes from this: that architecture, that symmetry, that monumental feeling. Truly magnificent. I already loved the standard cover, and FairyLoot traditionally features it on the back cover, but with a slightly modified colour palette (more purples, haha). That original cover is absolutely stunning, but by now you know how I feel about frontal characters on covers. As beautiful as this illustration is, I&#8217;m happy with the FairyLoot alternative. And at the same time, I&#8217;m glad the standard cover gets a place here too. OMG, photographing this hardcover was truly a challenge. The first impression is of a rather busy pattern, but that makes it perfectly suited to Italy, Florence, and the Renaissance aesthetic. It almost feels like a luxurious tapestry. Both the front and back cover also feature gold foil illustrations by @emiscape. My photos don&#8217;t do them justice at all &#8211; getting the lighting just right was nearly impossible &#8211; but believe me, they&#8217;re incredibly beautiful in person. The edges of the book block also feature a beautiful illustration, designed by @aeadraws. These deep, saturated colours perfectly complement the cover and only enhance that luxurious feel. And then&#8230; those endpapers. Man, I literally had to let out a little gasp. What. A. Beauty. The illustrations are by @thelolloco and they look like they&#8217;ve been plucked straight from a Renaissance painting. Bombastic, rich in colour, full of detail, yet so elegant at the same time. I was completely speechless. FairyLoot also lavished them with gold foil, which, of course, fits perfectly with the whole Renaissance theme. These are, without a doubt, some of the most beautiful endpapers I&#8217;ve ever seen in a FairyLoot edition. The book also includes a letter from the author with a digital signature, and a bonus chapter with author&#8217;s notes. Oh, man&#8230; FairyLoot has really started 2026 strong. They&#8217;ve executed the &#8220;Renaissance&#8221; mission with complete conviction: bombastic, colourful, opulent, with beautiful illustrations and an abundance of gold foil. Everything about this edition exudes Italy, art, power, and grandeur. A mighty beautiful edition, completely spot on from start to finish. If this is a sign of things to come, it doesn&#8217;t bode well for my skip resolution, lol. Cheers, Charlotte]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">44184</post-id>	</item>
		<item>
		<title>Read in January 2026</title>
		<link>https://charami.com/2026/02/08/read-in-january-2026/</link>
					<comments>https://charami.com/2026/02/08/read-in-january-2026/#respond</comments>
		
		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Sun, 08 Feb 2026 06:05:06 +0000</pubDate>
				<category><![CDATA[Read]]></category>
		<category><![CDATA[book-reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[reading]]></category>
		<guid isPermaLink="false">https://charami.com/?p=44114</guid>

					<description><![CDATA[My reading year is off to a good start for the first month of 2026. I started January with a fairly clear reading plan, with a few books I really wanted to read, but that plan was quickly turned upside down. Not due to a lack of time or a reading slump, but because one book completely consumed my mind and unceremoniously dragged me into a series that had been sitting unread on my bookshelves for far too many years. And as much as I like to approach things logically, a reading plan should primarily remain a guideline, not a fixed schedule that I must adhere to at all costs. So I happily let go of that TBR, letting my reading itch flow and completely lose myself in the story! In the end, I read a total of 8 books in January, totaling 2946 pages. That brings the average January book to 368 pages. It was also a strong month in terms of reviews. No individual book received five stars, but the series I read as a whole undoubtedly deserves a full five stars in my heart. Most books fluctuated between two and four stars, with clearly more high scores than low ones. The average book of January thus comes to 3.4 stars. What surprised me a bit was that this month scored so well, even though I read a relatively large amount of Young Adult books, a target audience that has become increasingly less appealing to me in recent years. Of the eight books I read, three were YA titles (all part of the aforementioned series). The remaining books were intended for an adult audience, which amounts to 5 adult books. My reading formats also varied considerably this month. I read three books entirely as audiobooks, one as a combination of e-book and audio, and the remaining titles all came from my own collection. In total, I read 4 books from my bookshelf. The genres remained varied as well, with 4 different genres: thriller (1), mystery (1), horror (1), and fantasy (5). I also read one book in Dutch &#8211; a Japanese translation &#8211; and the remaining seven in English, in their original language. Below is a list of the books I read in January, along with my star rating. Click the link to jump to the blurb and my review. As always: be aware that both the blurb and the review may contain spoilers, especially for sequels in a series. Sometimes I hide spoilers behind a foldout or blacked-out text. Garber, Stephanie &#8211; Caraval (Caraval #1) &#9733;&#9733;&#9733;&#9733; Kent, Minka &#8211; The Silent Woman &#127911; &#9733;&#9733; Yambao, Samantha Sotto &#8211; Water Moon &#9733;&#9733;&#9733; Garber, Stephanie &#8211; Legendary (Caraval #2) &#9733;&#9733;&#9733;&#9733; Jackson, Holly &#8211; Not Quite Dead Yet &#127911; &#9733;&#9733;&#9733;&#9733; Kawaguchi, Toshikazu &#8211; Before the Coffee Gets Cold (Before the Coffee Gets Cold #1) &#9733;&#9733; Hendrix, Grady &#8211; We Sold Our Souls &#127911; &#9733;&#9733;&#9733;&#9733; Garber, Stephanie &#8211; Finale (Caraval #3) &#9733;&#9733;&#9733;&#9733; Garber, Stephanie &#8211; Caraval (Caraval #1) &#9733;&#9733;&#9733;&#9733; Genre: Fantasy Welcome to Caraval, where nothing is quite what it seems&#8230; Scarlett has never left the tiny isle of Trisda, pining from afar for the wonder of Caraval, a once-a-year week-long performance where the audience participates in the show. Caraval is Magic. Mystery. Adventure. And for Scarlett and her beloved sister Tella it represents freedom and an escape from their ruthless, abusive father. When the sisters&#8217; long-awaited invitations to Caraval finally arrive, it seems their dreams have come true. But no sooner have they arrived than Tella vanishes, kidnapped by the show&#8217;s mastermind organiser, Legend. Scarlett has been told that everything that happens during Caraval is only an elaborate performance. But nonetheless she quickly becomes enmeshed in a dangerous game of love, magic and heartbreak. And real or not, she must find Tella before the game is over, and her sister disappears forever. Easy four stars. Caraval was such fun: enchanting, rich, vibrant and utterly vivacious. The world felt gloriously unhinged, a little insane in a Wonderland sort of way, all twisty, cruel and seductive, sweeping you along in one dazzling whirlwind of madness. The writing does lean a bit young at times and there’s some repetition, but I honestly didn’t mind because the imaginative, vivid setting completely won me over. I might have enjoyed being able to solve the clues alongside the characters, but the relentless chaos is part of the charm, and it works brilliantly. I really, really enjoyed this. Caraval has been on my TBR for years, and I think I was scared to finally read it in case it didn’t live up to the hype or the promise I’d built up in my head. I’m so happy to be proven wrong. Sometimes it’s tempting to stay in the unknown with the idea of a great book, a bit like Schrödinger’s cat, but this time, opening the box was absolutely worth it. &#127911; Kent, Minka &#8211; The Silent Woman &#9733;&#9733; Genre: Thriller Newlywed Jade Westmore has finally found her forever in husband Wells, a charming, successful, and recently divorced architect—only there’s one caveat. Behind the gates of their elysian estate, hidden from street view in the caretaker’s cottage … lives Wells’ first wife, Sylvie. Three years ago, the original Mrs. Westmore suffered an unfortunate accident—and hasn’t uttered a sound since. Not a physician, psychologist, or world-renown specialist has been able to elicit so much as a word from the silent woman … until now. On an ordinary Tuesday while Wells was away—despite instructions to never disturb the fragile woman—Jade visited her isolated predecessor bearing a peace offering: a bouquet of white lilies. Only she wasn’t expecting Sylvie to have something for her as well: a slip of torn notebook paper with a single word scrawled in shaky black ink. That word? Run. The Silent Woman started with a premise I genuinely liked, but it never lived up to its potential. The mystery is telegraphed so clearly that there’s little room for suspense. I kept waiting for a twist, hoping the story would subvert the obvious direction it was pushing me toward, but in the end, it played out exactly as I had guessed from the blurb. No surprises, no reversals, no payoff. Ironically, the novel seems to acknowledge this from its very first line: “I fan to the end of my drugstore paperback and read the last page first. Surprises have never been my thing.” Unfortunately, that sentiment ends up describing the reading experience all too well. I did enjoy the setup and especially the side plot involving the old Hollywood starlet, which I wish the book had leaned into far more. A deeper dive into that golden-age atmosphere could have added much-needed texture and intrigue. As an audiobook, it was perfectly easy to listen to &#8211; smooth, accessible, and never demanding &#8211; but also just as easy to forget once it was over. Ultimately, this felt like a missed opportunity: pleasant enough in the moment, but predictable, underwhelming, and lacking the spark needed to make it memorable. Yambao, Samantha Sotto &#8211; Water Moon &#9733;&#9733;&#9733; Genre: Fantasy Would you rewrite your destiny if it meant losing a part of your past? On a backstreet in Tokyo lies a pawnshop, but not everyone can find it. Most will see only a cosy ramen restaurant. And just the chosen ones – those who are lost – will find a place to pawn their life choices and deepest regrets. Hana Ishikawa wakes on her first morning as the pawnshop&#8217;s new owner to find it ransacked, the shop’s most precious acquisition stolen and her father missing. And then into the shop stumbles a charming stranger, quite unlike other customers. For he offers help, instead of seeking it. Together, they must journey through a mystical world to find Hana’s father and the stolen choice – through rain puddles, hitching rides on paper cranes, across the bridge between midnight and morning and through a night market in the clouds. But as they get closer to the truth, Hana must reveal a secret of her own – and risk making a choice she will never be able to take back. Water Moon feels deeply Japanese in spirit and atmosphere, often reminding me of Spirited Away with its whimsy, absurdity and quiet magic. The world is delightfully strange and charmingly silly, governed by dream logic rather than rules. Anything feels possible, and that’s part of its appeal. The writing and structure are fragmented and choppy: short chapters and sections, shifting points of view, and a constant movement between memories, flashbacks and the present. While this could easily have felt disorienting, it actually read very naturally, mimicking the way thoughts flow, how one idea triggers another, which sparks a memory or a half-forgotten story. At the same time, this approach creates a sense of emotional distance; everything and everyone feels slightly removed, as if viewed through a soft haze. Scattered throughout are genuinely beautiful, lyrical sentences and delicately expressed sentiments, though the tone and style are uneven. The world-building is whimsical and imaginative, but therefore also unanchored. We’re shown many intriguing ideas and places, yet only ever in fleeting glimpses, tumbling from one setting to the next without fully settling anywhere. Over time, this constant jumping begins to feel clunky and undermines the charm. The romance, unfortunately, is vastly underdeveloped. Despite becoming a central driving force of the plot, it lacks proper foundation. I never truly felt the connection between the characters or understood why they were in love, which weakened the emotional impact. Combined with the book’s length and its tendency to remain vague and surface-level, this made the second half feel drawn out. While I initially flew through the pages, the momentum stalled a little over halfway, and I found myself less eager to pick it up. Overall, Water Moon offers a journey filled with interesting ideas, fleeting beauty and moments of quiet magic, but its emotional distance and lack of narrative grounding ultimately kept it from fully coming together for me. Garber, Stephanie &#8211; Legendary (Caraval #2) &#9733;&#9733;&#9733;&#9733; Genre: Fantasy A heart to protect. A debt to repay. A game to win. After being swept up in the magical world of Caraval, Donatella Dragna has finally escaped her father and saved her sister Scarlett from a disastrous arranged marriage. The girls should be celebrating, but Tella isn&#8217;t yet free. She made a desperate bargain with a mysterious criminal, and what Tella owes him no one has ever been able to deliver: Caraval Master Legend&#8217;s true name. The only chance of uncovering Legend&#8217;s identity is to win Caraval, so Tella throws herself into the competition once more. Caraval has always demanded bravery, cunning, and sacrifice, but now the game is asking for more. If Tella can&#8217;t fulfill her bargain and deliver Legend&#8217;s name, she&#8217;ll lose everything &#8211; maybe even her life. But if she wins, Legend and Caraval will be destroyed forever. The games have only just begun. Legendary completely derailed my January TBR, and I regret nothing. I hadn’t expected Caraval to linger so vividly in my mind, but I couldn’t stop thinking about that intoxicating world, the chaos, the magic, the sheer fun of it all. In retrospect, I should have given it 5 stars instead of stingily sticking with 4, purely because of how much it consumed me! So rather than fight it, I leaned in and returned immediately to the game, and Legendary rewarded that decision in every way. This sequel keeps the same whimsical, seductive atmosphere that made Caraval such a joy but deepens it. The setting is new, the lore richer, and the story feels more purposeful and driven, transforming the dreamlike madness into a sweeping, high-stakes adventure. There’s still that delicious nonsensical air, but now it’s paired with sharper momentum, more mystery, and a sense that everything is moving toward something bigger. I was initially hesitant about the shift in perspective from Scarlet to Donatella, and I did miss Scarlet and Julian more than I expected. Still, Donatella...]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">44114</post-id>	</item>
		<item>
		<title>More KPop Demon Hunter Makes: Derpy &#038; Sussie</title>
		<link>https://charami.com/2026/02/01/more-kpop-demon-hunter-makes-derpy-sussie/</link>
					<comments>https://charami.com/2026/02/01/more-kpop-demon-hunter-makes-derpy-sussie/#respond</comments>
		
		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Sun, 01 Feb 2026 09:05:10 +0000</pubDate>
				<category><![CDATA[Made]]></category>
		<category><![CDATA[amigurumi]]></category>
		<category><![CDATA[crochet]]></category>
		<guid isPermaLink="false">https://charami.com/?p=43962</guid>

					<description><![CDATA[When I told you earlier about my crocheted Huntrix dolls, I already admitted that the original plan was actually even more ambitious. In my mind, not only were three girls supposed to appear, but also the Saja Boys. Only, yes, that idea turned out &#8211; surprise, surprise &#8211; to be a bit too ambitious. Luckily, the Huntrix dolls were finished in time for Christmas, and I even had a few days to spare! Something that&#8217;s become rare in recent years, as I usually plan more projects than is realistically possible once I get into my making mode. And so the crochet-itch started again. Because @greenfrog.crochet, whose Huntrix patterns I used, not only has patterns for the girls, but also for two other iconic characters from the KPop Demon Hunters movie: Derpy the Tiger and Sussie the Magpie. Demonic, cute, and delightfully quirky. And yes, that was enough to send me back to my crochet hooks and yarn basket. What particularly appealed to me about these patterns was the promise of no sewing. Everything is crocheted together in one go. No loose legs, no endless fiddling with needle and thread afterward (except for the embellishment). Yes, please. Now, I did hesitate for a moment, because the patterns were originally written for thick chenille yarn and a 4mm crochet hook. I don&#8217;t have that type of yarn at home, and I didn&#8217;t immediately feel like buying new materials. With the amount of acrylic, cotton, and wool already lying around, I thought it would be a challenge to simply make do with my own stash. So, just like the Huntrix dolls, I crocheted these creatures with acrylic yarn and a 3mm crochet hook. First up was Derpy, in two shades of blue with accents of black, white, and pink. The type of eyes @greenfrog.crochet used in her example make the tiger very cute, but for me, Derpy&#8217;s charm lies mainly in his delightfully goofy look. So I dug into my stash of amigurumi eyes and ended up with a set of yellow cat eyes, to which I added an orange accent. Not 100% perfect as per the original, but very Derpy nonetheless, especially when combined with him sticking out his tongue. And yes, his flowerpot was a must-have. Then it was time for Sussie the magpie, with her six eyes. I stuck with the same yarn and hook combination, but those eyes&#8230; I struggled with them a bit. Sussie is supposed to have six yellow eyes with a large black pupil. I did have safety eyes like that, but they were much too big to neatly fit three per side. I also tried to imitate an iris around smaller black eyes with yellow yarn, but the result was disappointing. In the end, I decided to keep it simple and go for six black eyes. Not exactly by the book, but I still think she turned out well. Especially with her matching hat. And so Derpy and Sussie together became an extra Christmas present for my nephews and nieces. Small, recognizable, and completely in theme. But, it didn&#8217;t stop there. @greenfrog.crochet has created several versions of her Derpy pattern, each with a different pose. The first pattern I made uses a popcorn stitch for all the legs, but she also has other variations, including one where Derpy sits with his front legs extended. A friend of mine also has a serious soft spot for KPop Demon Hunters, and especially for this tiger. Earlier this year, she brought me a beautiful art print from a convention because I couldn&#8217;t make it myself. Since then, I&#8217;d been thinking about making something for her on this theme. This Derpy was the perfect candidate! I again used acrylic in two shades of blue, with black, white, and pink accents, and my trusty 3mm crochet hook. I made the eyes the same way I did with the first Derpy, and of course, his flower pot had to be included. The result was a slightly different, yet equally recognizable Derpy. And her reaction was priceless. She was genuinely thrilled with it, and it now sits proudly on her desk, watching her work all day long. So sweet! Once again, I had so much fun making these patterns and bringing them to life. And yes, giving them to people who will love them, that gives me just as much satisfaction! Cheers, Charlotte]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">43962</post-id>	</item>
		<item>
		<title>My 2026 reading goals</title>
		<link>https://charami.com/2026/01/28/my-2026-reading-goals/</link>
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		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Wed, 28 Jan 2026 19:35:25 +0000</pubDate>
				<category><![CDATA[Read]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[reading-stats]]></category>
		<guid isPermaLink="false">https://charami.com/?p=43930</guid>

					<description><![CDATA[We’re already pretty much at the end of January, and yet I still haven’t properly defined my reading goals for 2026. Not because I lack ideas, but because I’ve been searching for the right approach. When I look back at my two recent reflection posts &#8211; one about my 2025 reading goals and one about the accompanying numbers and statistics &#8211; it becomes clear that what I really want is to give my reading a bit more direction. Not a rigid framework or a checklist I need to tick off obsessively, but rather a set of focus points. Gentle reminders of what matters to me, of what I want to be more mindful of, and of how I want to subtly steer my reading year. These are not absolute rules, not things I must do, but more like guiding beacons along the way. Contradictory as it may sound, I also genuinely enjoy having something tangible. A concrete goal, a percentage, a number to work towards and reflect on later. And honestly, when I write it out like this, I realise I don’t actually need completely new reading goals. The focus points that mattered to me last year still matter to me now. So why reinvent the wheel? That’s why, in this post &#8211; while writing, kind of live, so to speak &#8211; I’m revisiting my reading goals from 2025 and reformulating or refining them where necessary for 2026. Reading Goal 1: the number of books to read I’m kicking things off with a reading goal I now call “traditional” every single year, and which I’m therefore leaving unchanged for 2026 as well. It remains a fun number to work towards, but at the same time it’s also my least important goal, because it says very little about how I read, what I read, or why I read. So yes, without pressure or expectation, I’m once again setting this goal traditionally at 100 books for 2026. Reading Goal 2: the books on my shelves In 2025, I set myself the goal that at least 40% of the books I read had to come from my own bookshelves, without having been purchased in that same year. In 2026, I want to keep that conscious focus on my existing collection, especially given the steady influx of books. Last year, I did reach that 40% target, but only once rereads were included. And that’s where I still feel a bit conflicted. Don’t get me wrong: rereading books is wonderful. It’s comfort reading at its finest, returning to a familiar story and a well-known world. But the original intention behind this goal was to bring attention back to the books that have been sitting unread on my shelves for years. Especially because my taste has changed over time, there’s a certain unease there: are the books I bought more than five years ago still for me today? Or have I simply outgrown them? That’s why, in 2026, I’m keeping the target at at least 40% of the books I read coming from my existing collection, not purchased in 2026, with one important clarification: they need to be first-time reads. On top of that, I want to finally make a real effort with my oldest unread books. I went through my shelves and identified 26 titles that I bought before 2021, either standalones or first books in series I never actually started (but often did fully collect). Alongside the general percentage, I’m therefore adding an extra focus: of those books from my own shelves, I want at least 10 titles that were purchased before 2021. Not to punish myself or impose strict obligations, but to stay honest with myself. Read them, unhaul them, let them go: everything is allowed. I don&#8217;t want to give myself any guilt, but truely need to be honest about these oldies on my shelves: what still deserves my time, and what doesn&#8217;t? Reading Goal 3: chunky books Since 2021, I’ve included a reading goal every year focused on thicker books. Not because I don’t enjoy them &#8211; quite the opposite &#8211; but because I often mentally block myself from starting them. A five-hundred-page brick (or more) always feels like a huge commitment beforehand, while afterwards I almost always think: why did I wait so long to read this? Strange, really. In 2025, the focus was on books of more than 600 pages, but when I looked at my shelves again, I realised that this threshold might be just a bit too strict for 2026. Most of the books over 600 pages are sequels in series, while the first instalments (which I still need to start) are often slightly “shorter”, but still comfortably above 500 pages. So for 2026, I’m slightly reformulating this goal. The focus shifts from over 600 to over 500 pages. Still chunky books, still a clear threshold, but better aligned with what’s actually unread on my shelves. In 2025, I ended up reading 18 books of more than 500 pages, which made me realise that this is no longer exceptional behaviour, but something that has quietly become part of my reading rhythm. Still, I don’t want this goal to fade into something automatic. It should continue to encourage me to consciously choose those thicker stories, even when they look intimidating. That’s why I’m setting my 2026 goal at at least 12 books of more than 500 pages. Roughly one chunky book per month: ambitious enough to give direction, flexible enough to avoid pressure. Reading Goal 4: series I started 2025 with no fewer than 49 ongoing series and ended the year with 40 series that I’m taking into 2026 and still want to continue. That number alone makes it clear why this goal has been returning year after year. The risk of reading fantasy &#8211; and let’s be honest, of book subscriptions as well &#8211; is how easy it is to start new series throughout the year. New worlds, new characters, beautiful editions… before I know it, there’s yet another series on the list. And while that isn’t inherently a bad thing, it often means that previously started series quietly fade into the background. That’s why I want to keep paying conscious attention to ongoing series in 2026 as well. Of the 40 series I’m taking into this year, there are 25 where published instalments are still unread, and 15 where I’m fully caught up (everything released so far has been read). My main focus lies with that first group, though I’ll of course keep an eye on new releases for the second group as well. Concretely, I’m setting my 2026 goal at at least 13 ongoing series continued, completed, or consciously dropped. This number isn’t arbitrary. With 25 series I’m behind on, I’m aiming for just over half. As in previous years, this doesn’t mean every series needs to be finished. “Continuing” can mean several things: reading the next instalment, deciding a series is no longer for me and letting it go, or finally completing a series that’s been half-finished for years. Ultimately, this goal isn’t about reading fewer series, but about being more intentional with the ones I’ve already started, so that my reading list doesn’t just grow endlessly, but regularly gets a bit of breathing room too. Reading Goal 5: subscription books In 2025, I set a concrete goal for the first time around the books I receive through my various subscriptions. I aimed to read 25 of them, including DNFs. It turned out to be a great focus point: a nudge to not just collect the boxes, but actually read the books. For 2026, I took a closer look at my subscriptions. If I skip nothing, I’ll receive 59 books this year. (And literally while I’m writing this, FairyLoot sent out an invitation to sign up for their Epic Fantasy Quarterly box. Nope. No. Absolutely not. Ignoring.) That’s a significant increase compared to 2025, when I ended up receiving 45 new subscription books after skipping a few boxes and starting a new one at the same time. Last year, I ultimately read 28 subscription books. For 2026, I want to sharpen that focus slightly and set a more ambitious goal: 30 subscription books read. Skipping boxes is still very much a point of attention, but I’m not setting a hard goal around that. Conclusion: Reading Goals for 2026 After all this reflection, these are my concrete reading goals for 2026: Reading Goal 1: Read 100 books Reading Goal 2a: Read 40% from my own shelves (purchased before 2026) Reading Goal 2b: Read 10 books purchased before 2021 Reading Goal 3: Read (start) 12 books of more than 500 pages Reading Goal 4: Continue, complete, or drop at least 13 ongoing series Reading Goal 5: Read (start) 30 subscription books With these five (and-a-half) goals, I’ve found a balance between tradition, challenge, conscious choice, and pure enjoyment. Enough structure to guide my reading year, without turning it into a restrictive framework. Now all that’s left is to read, discover, and enjoy… and to adjust when needed. Here’s to a new year filled with books, adventure, and reading joy! Cheers, Charlotte]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">43930</post-id>	</item>
		<item>
		<title>Read in 2025: the numbers</title>
		<link>https://charami.com/2026/01/21/read-in-2025-the-numbers/</link>
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		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Wed, 21 Jan 2026 06:05:40 +0000</pubDate>
				<category><![CDATA[Read]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[reading-stats]]></category>
		<category><![CDATA[year-end-lists]]></category>
		<guid isPermaLink="false">https://charami.com/?p=43878</guid>

					<description><![CDATA[After my extensive reflection on the reading goals of 2025, it&#8217;s now time to delve even deeper into the hard data. Not to force conclusions, but rather to see whether my feelings about the reading year 2025 are supported or contradicted by the data. Unlike in previous years, this time I&#8217;m not throwing everything into one big pile. This post will focus primarily on the key figures, or what I called the reading journal trackers when I was still keeping a journal. So I&#8217;ll mainly reflect on how I read in 2025: what kind of books I picked up, in which formats, and which genres and target audiences dominated. Whether I&#8217;ll write a post about all the other data remains to be seen. As always, this is purely for nerdy fun, without judgment or performance pressure. Just a glimpse into what my 2025 reading year looked like in numbers. Star ratings First, the most obvious and perhaps also the most discussed tracker: my rating of the books I&#8217;ve read. When I look at the distribution of the stars, I see a familiar picture. As in most years, this graph neatly follows a sort of normal curve: few books at the extremes (1 star or 5 stars) and a clear concentration in the middle. The largest share of my read books in 2025 received 3 stars (33%), closely followed by 4 stars (31%). I always enjoy seeing that same distribution visually, with the book covers included. Giving star-ratings remains a matter of the moment. No matter how hard I try to implement some kind of system &#8211; through CAWPILE, or my translated BALSPEL system &#8211; there are always books that I in hindsight would give a different rating. But generally speaking, I agree with this distribution. It feels fair and representative of how my reading year went. Because I personally felt that 2025 was a weaker reading year than previous years, I wanted to compare the 2025 figures with those of previous years. And the data doesn&#8217;t really confirm this feeling. When you compare the star rating distribution from 2020 to 2025, you mainly see a lot of stability. Three stars dominate every year, four stars fluctuate somewhat but remain strongly represented, and five-star books remain consistently rare. 2025 doesn&#8217;t stand out significantly in this respect. The gradual increase in DNFs over the years, with 2025 as the current highest point (7%), is noticeable. This doesn&#8217;t necessarily mean anything negative about the quality of the books, but says more about me as a reader. Instead of stubbornly dragging myself through a book &#8216;because that&#8217;s just the way it should be&#8217;, I now dare to put a book down with a more peaceful mind if it doesn&#8217;t appeal to me and I accept that it might just not be for me. Format Besides what I read, I&#8217;ve also been tracking the format I read my books in for years. For 2025, I again distinguished three categories: physical books, e-books, and audiobooks. Looking at this year&#8217;s distribution, one trend stands out: the share of audiobooks has continued to decline. In 2023, that percentage dropped below 40% for the first time, to 30%. In 2024, it remained more or less stable at around 33%, but in 2025, it fell further to 29%. This means that for the first time in years, I read less than a third of my books via audio. On the other hand, there&#8217;s a clear increase in the number of physical books read. In 2025, almost half of all books (49%) were read on paper, a significant increase compared to previous years and the highest share in this entire series. E-books remain a sort of stable middle ground: less dominant than audio in my earlier years, but clearly a fixed component of my reading habits. Now, I do have to make a small caveat here. The figures for 2025 aren&#8217;t entirely correct. I&#8217;m increasingly reading books in a hybrid way: I can start reading a book physically, but then listen to a few chapters in between while crafting, tidying the house, or doing something else where eyeball reading isn&#8217;t practical. That&#8217;s why, in my Excel spreadsheet, I&#8217;ve mainly recorded how I started reading a book, and not necessarily every format I used along the way. This makes this tracker slightly less accurate than, say, five years ago, when I usually stuck faithfully to one format per book. That being said, the decline in audiobooks does feel like a genuine shift, not just a matter of registration. In the early years when I discovered audiobooks, they accounted for over 40% of my reading volume. These days, I&#8217;m much less inclined to automatically turn to audio. This is partly because I&#8217;m more consciously drawn to books from my own bookshelves, but also because my listening habits have changed. When I want to listen to something, I increasingly turn to music or a YouTube video instead of an audiobook. My daily routine also plays a role. I still go to the gym, but I walk much less than I used to, while those walks were my primary audiobook moments for years. Something else that&#8217;s inextricably linked to this for me is the declining number of books I&#8217;ve read. Audiobooks make it much easier to read more, as they fill the gaps when physical reading isn&#8217;t possible and ensure that reading literally blends into my daily routine. Now that I seem to be reaching for audiobooks less often, those &#8220;extra&#8221; reading moments are largely disappearing, and that seems to translate quite directly into fewer books per year. I can&#8217;t say for sure whether these two trends are entirely causally linked. There&#8217;s probably something to it, but I also notice that I&#8217;m focusing more consciously and concentrated on physical books, and often on longer or more complex stories, which I find more difficult to consume in audiobook form. This may result in fewer titles read, but not necessarily in fewer pages read. Target audience Traditionally, I also include the distribution of target audiences in this overview: children&#8217;s books, young adult books, and adult books. But here the trend is clear and anything but surprising. In 2025, the vast majority of my books were aimed at an adult audience. Specifically, 85% were adult books, while the remaining 15% fell under the heading of Young Adult. Children&#8217;s books weren&#8217;t read at all this year. When I compare these figures with those of recent years, you see a clear and consistent shift. The share of YA books has been declining for several years in a row, while adult books are increasingly becoming the norm on my reading list. This isn&#8217;t a sudden break, but rather a gradual evolution that aligns nicely with how my tastes, interests, and reading priorities have developed over the past few years. What struck me while tracking these figures is that with quite a few books I read, I explicitly wondered if they were truly written as adult books. With some titles, I strongly felt that they could just as easily be classified as YA based on content, but perhaps were marketed as &#8220;adult&#8221; for economic reasons. That automatically led me to a broader question: what actually makes a book YA or adult? Is it the age of the main character? The themes explored? The complexity of the plot? The presence (or explicitness) of violence or sex? The more I think about it, the more blurred that line seems to become. The distinction sometimes feels arbitrary, and perhaps I unconsciously play a role in that myself, with certain expectations or prejudices toward specific labels, themes, or writing styles. Moreover, a separate category has emerged in recent years (New Adult) which has taken on a life of its own through social media. In my mind, that label often equates to &#8220;romantic stories with more explicit scenes,&#8221; but even then, I know that&#8217;s a simplification. In any case, it feels like the traditional target audience classifications are becoming increasingly less clear-cut. What I do notice very clearly is that the Young Adult label influences how I read. I have less patience with YA books: I&#8217;m more likely to give up, less willing to &#8220;read through the initial phase,&#8221; and more likely to decide that something isn&#8217;t for me. With a book presented as an adult novel, on the other hand, I&#8217;m more willing to persevere, even if the beginning doesn&#8217;t immediately convince me. That realization feels somewhat uncomfortable, because it clearly points to a bias. Perhaps some YA books could have surprised me just as much if I&#8217;d given them the same space and attention. So it&#8217;s definitely something to take with me into future reading years: not only be critical in what I choose, but also in how I read and evaluate, regardless of the label attached to it. So the numbers of this tracker tell a fairly simple story, but substantively, it raises interesting questions about labels, expectations, and their influence on my reading experience. Genres Naturally, I also kept track of the (main) genres the books I read were classified into, although I&#8217;ve noticed this has increasingly led to doubts in recent years. Many books simply can&#8217;t be neatly categorized anymore, and especially with genres like fantasy, the boundaries are becoming increasingly blurred. Still, it remains interesting to look at the bigger picture here as well. It will come as no surprise that fantasy is once again by far my most-read genre. In 2025, a whopping 53% of everything I read fell under that heading. This includes a wide range of so-called fantasy, from epic fantasy to cozy fantasy and romantasy. Traditionally, my top three genres are Fantasy, Romance, and Mystery/Thriller, and that ranking remained the same on paper in 2025. However, this year&#8217;s figures reveal more than just a top three. You can see that mystery and thriller reached 17% in 2025, which is again lower than in previous years. This decline can be directly linked to another clear trend in my statistics: these are precisely the genres I traditionally read most often via audiobook. Since my consumption of audiobooks has steadily declined in recent years, it makes sense that this is also reflected in this genre distribution. Less listening literally means fewer thrillers and mysteries. Romance also saw another decline, reaching 13% in 2025. Yet, it doesn&#8217;t feel like I&#8217;ve truly &#8220;missed&#8221; this genre. Of the 54 fantasy books I read this year, 20 had romance as a secondary genre. So it seems very likely that I&#8217;m getting my romance fix less and less from purely romantic stories, and more and more from books that combine genres; in this case, fantasy with a strong romantic plot. Sci-fi has remained stable over the years, accounting for around 10 to 11% of my reading. That&#8217;s not surprising in itself, but it is funny considering what I say every year about this genre: that I&#8217;d actually like to read more of it, because I think I&#8217;ll really like it. Sci-fi thus remains a genre of good intentions. Present, but never dominant. The reading rhythm of 2025 Although I have quite a few additional figures in my Excel spreadsheet that I could comment on, this seems like a good time to wrap up this rather extensive post. So, I&#8217;ll close with a final overview that brings it all together: the number of books read versus the number of pages read, broken down by month. What&#8217;s immediately striking is that the number of books read and the number of pages read generally run nicely parallel. Months in which I read more books are generally also the months in which I worked through more pages. This indicates a fairly consistent reading rhythm throughout the year, without extreme peaks or valleys. Yet, there are a few subtle nuances that make the overview interesting. For example, a slight reversal is visible in July and August. In July, I read more books than in August, but in August the total...]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">43878</post-id>	</item>
		<item>
		<title>Huntrix dolls</title>
		<link>https://charami.com/2026/01/14/huntrix-dolls/</link>
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		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Wed, 14 Jan 2026 06:05:24 +0000</pubDate>
				<category><![CDATA[Made]]></category>
		<category><![CDATA[amigurumi]]></category>
		<category><![CDATA[crochet]]></category>
		<category><![CDATA[doll]]></category>
		<guid isPermaLink="false">https://charami.com/?p=43810</guid>

					<description><![CDATA[If you&#8217;ve been following my On the Go posts over the past few months, you know that my creative world has been completely dominated by the Netflix film KPop Demon Hunters. For my niece&#8217;s birthday, you already saw the knitted Huntrix sweater, and today it&#8217;s the turn of another project from that same fandom corner: the crocheted Huntrix dolls, which together made for a joint Christmas gift. Originally, I was quite ambitious. The plan was to make dolls of both the girl group Huntrix and the boy group Saja Boys. But it soon became clear that that idea was just a bit too optimistic. Not just time-wise, but also physically. I&#8217;m increasingly realizing that I can no longer craft endlessly without breaks, and that amigurumi projects with lots of small parts are particularly taxing on my hands, especially my thumbs. So I had to make choices. And that choice ultimately became: focus on the three Huntrix girls, so they would definitely be finished by Christmas. Initially, I also intended to crochet the dolls based on my own basic pattern, and then further adapt it for each character. But when I saw the patterns from @greenfrog.crochet, I immediately changed my mind. Why should I even start experimenting myself when these patterns were already almost a perfect match for the dolls I had in mind? I started by crocheting each doll individually, using the same base for all three. The real variety came when I started working on the girls&#8217; iconic hair. Rumi was up first, with her long purple braid. The pattern recommended making the wig with a larger crochet hook than the doll itself, but my first attempt resulted in a very large wig. In the end, the opposite worked better: I crocheted the wig with a smaller hook than the doll, which immediately gave a much nicer result. Zoey was next. Crocheting her hair was especially difficult because it&#8217;s black, and crocheting with black is just not fun. Especially not when it gets dark quickly. Luckily, my neck lamp proved its absolute necessity here. Last up was Mira, with her bright pink hair. Once I knew a smaller crochet hook worked better for me, crocheting the wigs went smoothly. What did remain a bit of a challenge, however, was the placement. Lots of pins, tiny shifts, and rechecking preceded the final attachment. The pattern, by the way, indicates that you can attach the wigs with fabric glue, which is undoubtedly faster. But personally, I prefer sewing over glue. Glue quickly feels sticky and risky to me &#8211; one wrong move and you&#8217;re left with residue where you absolutely don&#8217;t want it. So I sewed each wig on stitch by stitch, which easily took a few hours per doll. But once the hair was attached, something magical happened: the basic dolls truly became their characters. It&#8217;s always so much fun to watch that transformation. And then it was time to get dressed! Each girl received two outfits: one for everyday life and one for the stage. I was especially curious about how @greenfrog.crochet had constructed the garments, and I was genuinely impressed. There are some truly ingenious design choices. The outfits have enough detail to be instantly recognizable, but without being overly fiddly. A very nice balance. For the white and gold stage outfits, I decided to incorporate a gold glitter thread along with the regular gold-coloured yarn for that extra touch of sparkle. And ta-da… here they are, my final Huntrix dolls. They&#8217;re really strong patterns, but I wouldn&#8217;t necessarily recommend them for absolute beginners. Not every step is spelled out in great detail, so a little experience and confidence with a crochet hook is helpful. I&#8217;m absolutely thrilled with the final result. And even better, the dolls were a huge hit with the recipients. Wrapping these dolls as a &#8220;shared&#8221; gift was also a pleasure in itself, but I might save that for another time &#x1f609; Cheers, Charlotte]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">43810</post-id>	</item>
		<item>
		<title>Looking Back on My Reading Goals of 2025</title>
		<link>https://charami.com/2026/01/11/looking-back-on-my-reading-goals-of-2025/</link>
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		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Sun, 11 Jan 2026 11:05:52 +0000</pubDate>
				<category><![CDATA[Read]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[reading]]></category>
		<category><![CDATA[reading-stats]]></category>
		<category><![CDATA[year-end-lists]]></category>
		<guid isPermaLink="false">https://charami.com/?p=43767</guid>

					<description><![CDATA[Over the past few years, I’ve always kicked off the new reading year with one enormous post packed full of statistics, graphs and numbers about my reading habits from the year before. That single monster post combined everything at once: a review of my reading goals, an in-depth analysis of my stats, and the setting of new goals for the year ahead. Fun? Absolutely. Intense? Also yes. Both to write and to read, it became a pretty overwhelming chunk every single year. So this year, I decided to do things differently. All the nerdy statistics and graphs are still coming, but I’ve split everything up into multiple separate posts. That makes it more manageable for me to write, and hopefully easier for you to read just the parts you’re most interested in (or to skip the bits you’re less in the mood for). In this first instalment, I’m specifically looking back at my reading goals for 2025. At the start of the year, I set myself five concrete goals, based on my 2024 reading statistics and my hopes for 2025. I already shared a mid-year check-in back in July, but now it’s time for the final verdict. Time to see how I *really* did with my reading goals for 2025. Reading Goal 1: Read 100 books Since 2020, I’ve given myself the same reading goal every single year: read 100 books. It’s one of the very first reading goals I ever set, even before I started tracking my reading habits in such a data-driven way. Back then, I simply had a Goodreads account, which asks you to set a reading challenge at the start of the year and that was that. Since then, this goal has become a constant, and so far I’ve managed to reach it every year, albeit with a clearly downward trend. For 2025, Goodreads shows that I reached my goal of 100 books, with two books to spare. That number does need some nuance, though: on Goodreads, I also track my DNF books, while in my own Excel file I register those separately. So when I look at my own numbers, the outcome is slightly different. Indeed, the downward trend continues, and for the first time in five years I didn’t reach my goal of 100 finished books. I still ended up with a very respectable 95 completed books, supplemented by 7 books that I decided not to finish after giving them a fair chance (DNFs). Concretely, that means I read seven fewer books than in 2024, and no fewer than 25 books fewer than in my absolute peak year, 2020. In fact, I’d even argue that in terms of finished books, I’m back at roughly my pre-peak level: in 2019, I finished 93 books, which is very close to my 2025 numbers. That said, the absolute number of books read isn’t the most important metric for me personally. It’s simply the easiest one to track, and therefore also the most visible. What matters much more to me is that I read, and especially that I read with enjoyment. Still, let’s return to the hard numbers for a moment, because there’s something interesting there too. Although I finished fewer books in 2025 than in 2024, I actually read more pages overall, about 2% more, to be precise. That suggests my average book length increased again slightly, which is likely connected to one of my other reading goals this year. Reading Goal 2: Read 40% of books purchased before 2025 Of all the reading goals I set for myself, this may well be one of the most important. Not the sheer number of books read, but actually reading the books I physically buy, carries much more weight for me. Anyone who’s been following along for a while will know that reading isn’t my only book-related hobby. I get at least as much enjoyment out of buying and collecting books &#8211; perhaps even too much enjoyment, judging by my bookcases. Historically, however, I haven’t always been particularly good at actually reading those purchased books in a timely manner. Part of that has to do with how easily I get distracted by something new. An enthusiastic recommendation from someone around me, a glowing online review, or simply the feeling that “everyone is reading this right now” is often enough to shift my attention. At the same time, I’ve also experienced more than once that hugely hyped books tend to lead to disappointment for me personally. And somehow, the idea of “this is a book I’m definitely going to love one day” can be more appealing than actually reading it and discovering that it might not quite be my thing after all. In that sense, postponing can sometimes be a way of preserving a promise, however irrational that may sound. To give you an idea of just how far that postponement can go: the oldest unread book on my shelves that I still genuinely want to read has been sitting there since 2015. Yep. That fact alone is enough motivation to occasionally force myself to turn towards my own bookcases instead of letting myself be tempted by yet another new release. For 2025, I therefore set myself the concrete goal of having 40% of my reads consist of physical bookshelf books that I bought before 2025. According to my Excel checklist, I just about reached that goal: 41%, or 42 books from my older shelves. In the list above, you can see a total of 65 bookshelf books that I read in 2025. The yellow books are titles I bought in 2025 and also read that same year (23 in total, which is actually just a fraction of all the books I bought, but let’s gloss over that detail for now, hehe). The pink books deserve a bit of extra attention, though. These are rereads, and strictly speaking, they don’t really count towards this goal. When I exclude rereads, the picture becomes slightly less rosy: in 2025, I started 99 new books in total (out of 102 books read overall), and only 39 of those had already been on my shelves before 2025. That brings the percentage down to 39%, just one percent short of being able to call this goal unconditionally “achieved”. Still, however strict I want to be with myself, the bigger picture remains positive. In 2025, I clearly prioritised books from my own collection, whether they were bought before or during 2025. All in all, 64% of everything I read came from my own shelves, which is a solid increase compared to previous years. Reading Goal 3: Read (or start) 6 books of over 600 pages Since 2021, I’ve set myself a yearly reading goal focused on tackling longer books. That’s no coincidence: genres like fantasy &#8211; my favourite and by far most-read genre &#8211; often come in rather hefty volumes. As much as I want to read them, these books can be intimidating. They demand more commitment, a longer attention span, and often some extra time to fully sink into them. And precisely because of that, I sometimes put them off in favour of “easier” reads. Which is a shame, really, because those chunky books tend to end up on my favourites lists remarkably often. So a little extra push to start them clearly doesn’t hurt. For 2025, I set myself the goal of reading 6 books of over 600 pages (or at least starting them). I had already comfortably reached that goal by mid-year, when my count stood at 8 books. In the second half of the year, I didn’t really need to take this goal into account anymore, and yet I still read two more chunky tomes. In the end, I finished the year with no fewer than 10 books of over 600 pages, nearly double my original target. Of those, 5 books were over 650 pages long, and 3 books even exceeded the 700-page mark. Intimidating on paper, but clearly not an insurmountable barrier in practice. But what about my suspicion that I tend to rate these longer books more highly? Well, purely based on the numbers, that theory seems to hold up completely. My average rating across all finished books in 2025 came to 3.2 stars. For books of over 600 pages, however, that average jumped to an impressive 4.1 stars. Even more striking: of the 7 books I awarded a full 5 stars in 2025, no fewer than 4 fall into this “chunky book” category. That’s a remarkably high proportion, especially considering how small a slice of my total reading list these books represent numerically. All in all, it’s certainly not my main aim to read only long books. But this reading goal continues to serve as a nice reminder not to be put off by a book purely because of its length. On the contrary: those extra pages often seem to pay off in a deeper, richer and simply fantastic reading experience. Reading Goal 4: Complete, drop, or catch up on at least 14 ongoing series These days, series feel almost unavoidable. It seems as though every new book that’s released leaves the door ajar for a sequel. As a reader, it’s very easy to end up tangled in a web of ongoing series: half-read trilogies, unfinished sagas, and “I’ll definitely continue this one day” series that quietly pile up before you even realise it. I started 2025 with no fewer than 49 ongoing series. That is… a lot. Too many, really. Which is why I set myself the goal of continuing with at least 14 of those series in 2025, either by finishing them completely, or by consciously deciding to stop and drop them for good. In the end, I continued with 17 already-started series, and all 17 of them will disappear from my series list for 2026. Goal more than achieved. Out of those 17 series: I completed 10 series. In a few cases it’s not 100% certain whether another instalment will ever be published, but as long as nothing concrete is announced, I consider these series finished for myself. For 4 series (marked in pink), I made the conscious decision to stop. That last category is still a tricky one for me. I’m naturally someone who likes to finish things, and that applies to books and series as well. But there’s no real benefit in forcing myself through sequels just because I once enjoyed the first book. If the motivation is gone, I need to be able to acknowledge that and let go. In 2025, I did exactly that with four series, and the more I think about it, the more I realise that this kind of letting go actually brings a lot of mental relief. Fewer loose ends, less “I still have to read this” pressure, and more space to read what I genuinely feel like reading in the moment. For the remaining 3 series (marked in blue), I’ve read all books that have been published so far. I’m fully up to date there, and genuinely looking forward to any future instalments. From a numbers perspective, this meant I managed to reduce my backlist series from 49 at the start of 2025 to 35 by the end of the year. A solid reduction. Of course, I also started new series in 2025, which is practically inevitable. In total, I began 25 new series. What stands out here is that for no fewer than 15 of those 25 series, I decided not to continue after just one book (or even after a DNF). That high number of DNFs among new series doesn’t feel like failure to me, but rather like a sign that I’m becoming quicker and more deliberate in my choices. I no longer automatically let new series turn into long-term commitments; instead, I decide fairly quickly whether something truly works for me. Out of those 25 new series: I completed 5 series, decided to stop after 15 series, and ultimately ended up with 5 new...]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">43767</post-id>	</item>
		<item>
		<title>Huntrix sweater</title>
		<link>https://charami.com/2026/01/07/huntrix-sweater/</link>
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		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Wed, 07 Jan 2026 06:05:24 +0000</pubDate>
				<category><![CDATA[Made]]></category>
		<category><![CDATA[knitting]]></category>
		<category><![CDATA[sweater]]></category>
		<guid isPermaLink="false">https://charami.com/?p=43708</guid>

					<description><![CDATA[It took just over three months to finish this sweater, from the very first idea to weaving in the very last thread. And as you&#8217;ve read several times in my On the Go updates over the past few months, it was anything but a straightforward process. There was an initial idea that I tackled with great enthusiasm. The stitches flew off the needle, and I could already picture the final result. But as sometimes happens, my mind started spinning again while my hands were still busy. While knitting the first few rounds, I got inspired differently, started to doubt, and switched back from knitting mode to idea mode. Then followed a whole tangent with short rows, the design (and re-design) of the motifs, and a period in which the knitting actually progressed quite smoothly&#8230; until I came to the painful realization that I&#8217;d made a rather big mistake. Not a minor flaw, but one that required me to redo a significant portion of the work. So it became a full process of developing ideas, taking them apart, rethinking, calculating, and experimenting. But once I got past that last mistake, everything finally fell into place. The yoke grew nicely, the body gained length, the sleeves were added, and bit by bit, the sweater began to look exactly how I&#8217;d envisioned it all along. I&#8217;m really happy with how the different elements in this sweater came together: from the small braids in the raglan lines to the large, central braid on the back. Everything came together beautifully and coherently, with a clear nod to Rumi from Kpop&#8217;s Demon Hunters, without being too busy. The very last step was embroidering the logo on the front, for which I naturally had to first develop the logo in pixel form. I ultimately created two options in Excel: one version with the full &#8220;Huntrix&#8221; group name and a second, more minimalist version with just the stylized H. For those interested: I&#8217;m happy to share the two pixel versions of these logos, so you can use or modify them yourself if you want: option 1 (huntrix) &#038; option 2 (H) Ultimately, the logo with the full group name was chosen. After that, it was simply a matter of carefully embroidering the design onto the sweater. Scary, but also very satisfying. And ta-da&#8230; this is the final result. I honestly couldn&#8217;t have wished for anything better. All in all, this makes a sweater I&#8217;m incredibly proud of. It was a birthday gift for my niece, and she was thrilled with it. That makes all those extra stitches, hesitations, and detours more than worth it! Cheers, Charlotte The Details Pattern: Combinatie van Youth Fern Cropped Sweater by Amanda Morse and Cherry Cuddler by DROPS design, with incorporation of the cascading leaves knitting pattern Yarn: Stylecraft Special DK in Grape (1067): 686 meter (233g) Needles: 3,5mm &#038; 4mm Logo: included afterwards using duplicate stitch]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">43708</post-id>	</item>
		<item>
		<title>Read in December 2025</title>
		<link>https://charami.com/2026/01/04/read-in-december-2025/</link>
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		<dc:creator><![CDATA[Charlotte]]></dc:creator>
		<pubDate>Sun, 04 Jan 2026 06:05:49 +0000</pubDate>
				<category><![CDATA[Read]]></category>
		<category><![CDATA[book-reviews]]></category>
		<category><![CDATA[books]]></category>
		<category><![CDATA[reading]]></category>
		<guid isPermaLink="false">https://charami.com/?p=43672</guid>

					<description><![CDATA[Before diving into my in-depth reading statistics for 2025, I first want to take a moment to look back at the books I read in December. A final reading month to close out the year, and one that felt surprisingly well balanced. In total, I read 8 books in December, amounting to 2930 pages. That brings the average December book to 366 pages per book. Every book I started this month, I also finished, meaning there were no DNFs in December. In terms of ratings, this month was a bit of a mixed bag. While there were no DNFs or 1-star reads, every other rating made an appearance. This also means a highlight: for the first time in quite a while, I gave a book a full 5 stars, and that felt very, very good. The average December read ultimately comes out at 3.6 stars. As for target audience, I read just one Young Adult book, with the remaining 7 books aimed at an adult readership. As always, I varied my reading format, with 1 e-book, 2 audiobooks, and 5 physically owned books. Genre-wise, I stuck to just 3 genres this month: romance (1), thriller (2), and fantasy (5). Language-wise, I once again read exclusively in English, with no Dutch-language books this time around. Below you’ll find the list of the books I read in December, along with my star ratings. Click on the link to jump to the blurb and my review! As always, please be mindful that both blurbs and reviews may contain spoilers, especially when it comes to sequels in a series. Sometimes I also hide spoilers behind collapsible or blacked-out text. Gillig, Rachel &#8211; The Knight and the Moth (The Stonewalker Kingdom #1) &#9733;&#9733;&#9733;&#9733;&#9733; Kuang, R.F. &#8211; Katabasis &#9733;&#9733;&#9733;&#9733; Feeney, Alice &#8211; Beautiful Ugly &#127911; &#9733;&#9733;&#9733;&#9733; Tan, June C.L. &#8211; Jade Fire Gold &#9733;&#9733; Klune, T.J. &#8211; In the Lives of Puppets &#127911; &#9733;&#9733;&#9733;&#9733; Holton, India &#8211; The Ornithologist&#8217;s Field Guide to Love (Love&#8217;s Academic #1) &#9733;&#9733;&#9733; Kent, Minka &#8211; People Like Them &#9733;&#9733;&#9733;&#9733; Leong, Julie &#8211; The Teller of Small Fortunes &#9733;&#9733;&#9733; Kuang, R.F. &#8211; Katabasis &#9733;&#9733;&#9733;&#9733; Genre: Fantasy Two graduate students must put aside their rivalry and journey to Hell to save their professor’s soul—perhaps at the cost of their own. Katabasis, noun, Ancient Greek: The story of a hero’s descent to the underworld Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality—her pride, her health, her love life, and most definitely her sanity. All to work with Professor Jacob Grimes at Cambridge, the greatest magician in the world—that is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the same conclusion. Katabasis is sharp, clever, and darkly amusing. Very much a case of “hell is academia”. “This is an arbitrary game of egos and narcissists and bullying perceived as strength. And he was the perfect incarnation of the system’s nonsense.” I was surprised (and pleased) by how quickly the story plunges straight into its descent, skipping a long build-up and instead revealing its characters through flashbacks and layered revelations along the way. This structure works beautifully, slowly exposing the snobbery, entitlement, presumptions and quiet cruelty that underpin academic spaces. Alice is not a particularly likeable protagonist, especially once you’re privy to her internal justifications, but that’s clearly the point. R.F. Kuang writes her with intention and bite, allowing the character’s flaws to sit uncomfortably with the reader rather than smoothing them over. The writing is intelligent and witty without ever feeling dense or inaccessible, and it flows remarkably well. While the novel didn’t quite reach the level of depth or emotional impact I’d hoped for, it was still a highly enjoyable and thoughtful read, one that’s fun, incisive, and very aware of what it’s critiquing. Tan, June C.L. &#8211; Jade Fire Gold &#9733;&#9733; Genre: Fantasy Told in a dual POV narrative reminiscent of Ember in the Ashes, Jade Fire Gold is a YA fantasy inspired by East Asian mythology and folk tales. In an empire on the brink of war&#8230; Ahn is no one, with no past and no family. Altan is a lost heir, his future stolen away as a child. When they meet, Altan sees in Ahn a path to reclaiming the throne. Ahn sees a way to finally unlock her past and understand her arcane magical abilities. But they may have to pay a far deadlier price than either could have imagined. Jade Fire Gold started off very promising, immediately evoking vivid imagery reminiscent of Crouching Tiger, Hidden Dragon: a lush, historical martial arts setting filled with beautiful scenery, elegant costumes, and myth-infused intrigue. The writing style is also fluid and descriptive, and the worldbuilding is clearly well-crafted. Unfortunately, that initial promise quickly wore thin for me. The story leans very heavily into familiar YA territory, and the emotional development simply wasn’t deep enough for me to truly connect. Feelings of love arise far too quickly and without sufficient build-up, which made the relationships feel rushed and unconvincing. On top of that, the plot is extremely predictable for a seasoned reader. One trope in particular really grated on me: the female main character being angry at the male main character for not immediately sharing all of his secrets, while she herself is still keeping plenty of secrets from him. It felt childish, frustrating, and riddled with double standards. That said, this is by no means a bad book. The prose is engaging and vivid, the characters are adequately fleshed out, and the story is well-paced, supported by an appealing lore and worldbuilding. Ultimately, though, it’s simply no longer the kind of book for me. I couldn’t shake the feeling of wanting more depth, while simultaneously being irritated by the YA tropes and twists. And then there’s the ending. For a standalone novel, the decision to end on such a cliffhanger felt completely unnecessary and deeply frustrating. All in all, a book with clear qualities, but one that simply does not suit me (anymore). Holton, India &#8211; The Ornithologist&#8217;s Field Guide to Love (Love&#8217;s Academic #1) &#9733;&#9733;&#9733; Genre: Romantiek Rival ornithologists hunt through England for a rare magical bird in this historical-fantasy rom-com reminiscent of Indiana Jones but with manners, tea, and helicopter parasols. Beth Pickering is on the verge of finally capturing the rare deathwhistler bird when Professor Devon Lockley swoops in, capturing both her bird and her imagination like a villain. Albeit a handsome and charming villain, but that&#8217;s beside the point. As someone highly educated in the ruthless discipline of ornithology, Beth knows trouble when she sees it, and she is determined to keep her distance from Devon. For his part, Devon has never been more smitten than when he first set eyes on Professor Beth Pickering. She&#8217;s so pretty, so polite, so capable of bringing down a fiery, deadly bird using only her wits. In other words, an angel. Devon understands he must not get close to her, however, since they&#8217;re professional rivals. When a competition to become Birder of the Year by capturing an endangered caladrius bird is announced, Beth and Devon are forced to team up to have any chance of winning. Now keeping their distance becomes a question of one bed or two. But they must take the risk, because fowl play is afoot, and they can&#8217;t trust anyone else—for all may be fair in love and war, but this is ornithology. The Ornithologist’s Field Guide to Love is a gloriously over-the-top, self-aware romp that leans fully into its absurdity. The writing is ridiculously posh, packed with silly wordplay, giggle-worthy innuendo, and sharp banter. At its best, the book feels like a campy satire of the historical romance genre, complete with moustache-twirling villains and characters that border on caricature. The story knows exactly what it is and never takes itself seriously. Unfortunately, what initially delighted me began to wear thin as the story went on. The consistently upbeat tone, relentless silliness, and overly drawn-out plot made the book feel far too long. What started out as charming and playful slowly tipped into tiring and, at times, even annoying. The romance did have its bright spots, with swoon-worthy moments of yearning and mutual pining. But while I really enjoyed those elements, they weren’t enough to make me fully connect with the couple in the way I’d hoped. In the end, this is a light, relaxing read that’s fun in short bursts. I’m glad I read it, even if it overstayed its welcome, and I might still pick up a sequel someday when I’m in the mood for something breezy and undemanding. Leong, Julie &#8211; The Teller of Small Fortunes &#9733;&#9733;&#9733; Genre: Fantasy A wandering fortune teller finds an unexpected family in this warm and wonderful debut fantasy, perfect for readers of Travis Baldree and Sangu Mandanna. Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells &#8220;small&#8221; whether it will hail next week; which boy the barmaid will kiss; when the cow will calve. She knows from bitter experience that big fortunes come with big consequences… Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a knead for adventure, and—of course—a slightly magical cat. Tao sets down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past are closing in—and she’ll have to decide whether to risk everything to preserve the family she never thought she could have. The Teller of Small Fortunes is a gentle, cozy, and heartwarming read that leans fully into comfort. It’s easy to slip into and easy to follow, making it a pleasant book to pick up when you want something soft and undemanding. I especially appreciated the found-family elements and the variety within the cast, as well as the thoughtful observations about immigrant experiences woven throughout the story. Unfortunately, the characters themselves remained fairly flat and surface-level, and the narrative stakes were so low that I never felt truly invested. While that meandering, low-pressure quality may be a positive for some readers, for me it made the book very easy to put down and equally easy to forget. Overall, this was just a very average, just basically ok book.]]></description>
		
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